How many conceptual decisions can be incorporated into a typeface design without compromising its visual integrity? Reversa puts this to the test.

Starting with a monolinear sans serif with a technical influence, various attributes – some more prominent than others – were applied to different areas of the design. Uppercase letters are constructed with angular and rounded shapes reversed, while lowercase letters only tend toward more classical proportions and the display styles introduce an inverted contrast. The result is a wild typographic mixture that can be used for everything from eye-catching headlines to punchy body copy.

Despite its experimental nature, the Reversa family offers the features needed for practical everyday design work: Various styles in different weights and optical sizes, a broad language support for Latin languages, and comprehensive OpenType features, including an “easy readability” stylistic set.